I can’t help it—the winner of this year’s “Favorite Photo” challenge is last year’s winner. This photograph shows my great-grandfather’s family. Pictured from left to right are David Cassatt, his wife Susan Houseworth Cassatt, and their sons Orville, Virgil (my grandfather), and Bascom. I wrote about this image and the family a year ago and, with the help of ChatGPT, determined that it is plausible—perhaps even likely—that the photo was taken around 1888, possibly in the fall after the broom corn harvest.
That earlier post led to even more discoveries. To the right of the photograph is broom-making equipment, which sent me down a path of researching, and posting about, this home industry. I also learned that broom corn is a type of sorghum, though not the variety used to make molasses.
Perhaps it was the animals on leashes that sparked my curiosity, but I soon found myself heading down another rabbit hole—figuratively—learning about the livestock kept on the farm, their uses, and the crops grown to feed them. The Agricultural Schedules from the census were especially helpful in this deep dive, along with analysis aided by ChatGPT as I fed information into the model to help fill out the picture of this farming family. The records I most wish I had, however, are the 1890 census and the Agricultural Schedules from the 1900 and 1910 censuses. The former were destroyed accidentally by fire, and the latter intentionally, deemed no longer useful—clearly without future genealogists in mind.
Finally, while we see the boys in this photograph, we are also reminded of the children who are missing. In the 1900 census, enumerators asked mothers how many children they had borne and how many were still living. Susan reported having six children, but only three were alive in 1900—a sobering reminder of the ever-present reality of childhood mortality before modern medicine. There is a grave for their firstborn son, George, who died at fifteen months. Two other children, Laura and Hubert, were born after Bascom. Laura died at age two or three, and Hubert may have died shortly after birth, as he does not appear in this photograph.
We live in an age of abundant photography, but for many generations in the past, we are left with fragments—images combined with other records—to piece together the events that shaped our ancestors’ lives, and ultimately our own. Because a family portrait was a significant expense and a major event, much thought went into these formal images. When I look at this photograph, I wonder what David and Susan were hoping to record and what legacy they thought they were leaving behind. Had they recently lost two children and wanted to preserve what remained of their family? Were they highlighting their industriousness? Or perhaps expressing a sense of humor—laughter through pain—with the leashed rabbits? David had lived through the trials of the Civil War and later headed west, where he found success in farming. Perhaps they believed this image captured the essence of their lives in 1888. Whatever the reason, we are all the richer for have this treasure.




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